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What Kind Of Animal Is Yakko Wakko And Dot

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American animated television series

Animaniacs
Animaniacs.png

Series logo featuring (from left to right) Yakko Warner, Dot Warner, and Wakko Warner
Besides known as Steven Spielberg Presents Animaniacs
Created by Tom Ruegger (uncredited)
Voices of
  • Rob Paulsen
  • Jess Harnell
  • Tress MacNeille
  • John Mariano
  • Chick Vennera
  • Maurice LaMarche
  • Frank Welker
  • Bernadette Peters
  • Nancy Cartwright
  • Julie Brown
  • Laura Mooney
  • Sherri Stoner
  • Nathan Ruegger
  • Paul Rugg
  • Luke Ruegger
  • Cody Ruegger
  • Jim Cummings
  • Tom Bodett
  • Jeff Bennett
Theme music composer Richard Rock
Composers
  • Richard Rock
  • Steven Bernstein
  • Julie Bernstein
  • Gordon Goodwin
  • Carl Johnson
  • J. Eric Schmidt
State of origin United States
No. of seasons five
No. of episodes 99 (274 segments) (list of episodes)
Production
Executive producer Steven Spielberg
Producers
  • Tom Ruegger
  • Rich Arons
  • Sherri Stoner
  • Rusty Mills
  • Peter Hastings
Running time 22 minutes
Production companies
  • Warner Bros. Animation
  • Amblin Entertainment
Distributor Warner Bros. Television Distribution
Release
Original network
  • Fox Kids (1993–1995)
  • Kids' WB (1995–1998)
Picture format NTSC
Audio format
  • Stereo (1993–1995)
  • Dolby Environs (1996–1998)
Original release September 13, 1993 (1993-09-13) –
Nov xiv, 1998 (1998-11-14)
Chronology
Followed by Animaniacs (2020–present)
Related shows
  • Tiny Toon Adventures
  • The Plucky Duck Prove
  • Freakazoid!
  • Pinky and the Brain
  • Pinky, Elmyra & the Encephalon

Animaniacs is an American animated comedy musical telly series created by Tom Ruegger for Pull a fast one on Broadcasting Visitor's Fox Kids cake in 1993, before moving to The WB in 1995, as part of its Kids' WB afternoon programming block, until the series ended on November xiv, 1998.[1] It is the 2nd animated series produced by Steven Spielberg'due south Amblin Entertainment in association with Warner Bros. Blitheness, later Tiny Toon Adventures. It initially ran a full of 99 episodes, along with a feature-length picture show, Wakko's Wish. Reruns after aired on Drawing Network, Nickelodeon, and Discovery Family, which was at the time The Hub Network.

Animaniacs is a variety show, with short skits featuring a large bandage of characters. While the evidence had no set format, the majority of episodes were composed of three short mini-episodes, each starring a different set of characters, and bridging segments. Hallmarks of the series included its music, satirical social commentary, pop civilization references, character catchphrases, and innuendo directed at an developed audience.

A revival of the series was appear in January 2018, with a two-season social club, to exist produced in conjunction with Amblin Amusement and Warner Bros. Animation, with producer Steven Spielberg, songwriter Randy Rogel, and many of the master phonation actors returning. It premiered on Nov 20, 2020, on Hulu, with a second season premiering on November 5, 2021.[2] A third flavour has since been ordered.

Background [edit]

Premise [edit]

The Warner siblings live in the Warner Bros. Water Tower on the Warner Bros. studio lot in Burbank, California.[three] However, characters from the serial had episodes in various places and periods of fourth dimension. The Animaniacs characters interacted with famous people and creators of the past and present, as well as mythological characters and characters from gimmicky pop culture and television. Andrea Romano, the casting and recording director of Animaniacs, said that the Warner siblings functioned to "tie the testify together," by actualization in and introducing other characters' segments.[four]

Each Animaniacs episode usually consisted of ii or three drawing shorts.[v] Animaniacs segments ranged in time, from bridging segments less than a minute long to episodes spanning the unabridged evidence's length; writer Peter Hastings said that the varying episode lengths gave the testify a "sketch comedy" atmosphere.[6]

Characters [edit]

Animaniacs had a wide bandage of characters; shown hither are the majority of the characters from the serial, among them, Ralph T. Baby-sit, Otto Von Scratchansniff, and Craven Boo.

Animaniacs had a big cast of characters, separated into private segments, with each pair or set of characters interim in its own plot. The Warner siblings, Yakko, Wakko, and Dot, are three 1930s drawing stars of an unknown species (1 Tom Ruegger named "Cartoonus characterus") that were locked away in the WB Tower until the 1990s, when they escaped.[three] After their escape, they often interacted with other Warner Bros. studio workers, including Ralph the Security Guard; Dr. Otto Scratchansniff, the studio psychiatrist; and his assistant, Hello Nurse. Pinky and the Brain are two genetically altered anthropomorphic laboratory mice who continuously plot and attempt to have over the globe.[seven] Slappy Squirrel is an octogenarian anthropomorphic drawing star who can easily outwit antagonists and uses her wiles to educate her nephew, Skippy Squirrel, nigh cartoon techniques.[8] Additional principal characters included three anthropomorphic Italian-American pigeons known as The Goodfeathers, Buttons and Mindy, Chicken Boo, Flavio and Marita (The Hip Hippos) and Katie Ka-Nail. Exclusive to the first flavour, Rita and Runt, two strays that get into massive trouble and adventures, and Minerva Mink, an young bonny anthropomorphic mink, starred in their own segments.[9] The Pinky and the Brain segment was the just segment, aside from the Warners themselves, to go far the reboot, excluding a new episode called "Good Warner Hunting", in which all the original characters appeared at the terminate of the episode, excluding Pinky and the Brain.

Product [edit]

Formulation [edit]

The Warner siblings as platypuses, before they were changed to their dog-like minstrels. The idea for the Warners to be platypuses was changed during pre-product of the series.

Prior to Animaniacs, Warner Bros. had been working to go Steven Spielberg to make an blithe picture show for the studio. To aid courtroom Spielberg's favor, the caput of Warner Bros. Animation Jean MacCurdy brought manager Tom Ruegger, who had successfully led A Pup Named Scooby-Doo, to assist develop the concept with Spielberg. Ruegger pitched the thought to Spielberg of using younger versions of the Looney Tunes characters while capturing the aforementioned wackiness of those cartoons, somewhen leading into Tiny Toon Adventures.[10] Tiny Toon Adventures was considered a success, winning a number of Daytime Emmy awards and a Primetime Emmy award and revived the Warner Bros. Blitheness section.[ten]

With Tiny Toon Adventures 's success, Spielberg and MacCurdy pushed on Ruegger for the side by side idea for a serial, with Spielberg emphasizing the demand for something with a marquee name. Ruegger had already envisioned pulling three characters that he had created for his student picture show The Premiere of Platypus Duck while attending Dartmouth Higher, a trio of platypuses for this new series, and made a connexion to Warner Bros. after walking effectually the studio lot and seeing its signature water belfry.[10] He came up with making this trio the Warner Brothers and their sister Dot (the latter representing the menstruum in the "Warner Bros." name),[11] tying the characters directly to the studio with their approval.[10] [12] Along with reviving the graphic symbol designs, Ruegger drew characterization for the Warner siblings from his three sons who could be troublemakers at the fourth dimension.[10] [13] Because the Warners were portrayed equally drawing stars from the early 1930s, Ruegger and other artists for Animaniacs made the images of the Warners similar to cartoon characters of the early 1930s.[13] Simple, black and white drawings of minstrels were very common in cartoons of the 1920s and 1930s, such as Buddy, Felix the Cat, Oswald the Lucky Rabbit, and the early on versions of Mickey Mouse and Minnie Mouse.

Writing [edit]

Steven Spielberg served equally executive producer, under his Amblin Amusement label. Showrunner and senior producer Tom Ruegger lead the overall product and writer'due south room. Ruegger initially brought in Sherri Stoner, who had likewise contributed to Tiny Toons Adventures, to help aggrandize the series' concept. Producers Peter Hastings, Sherri Stoner, Rusty Mills, and Rich Arons contributed scripts for many of the episodes and had an active function during grouping discussions in the author's room as well. Stoner helped to recruit most of the remaining writing staff, which included Liz Holzman, Paul Rugg, Deanna Oliver, John McCann, Nicholas Hollander, Charlie Howell, Gordon Bressack, Jeff Kwitny, Earl Kress, Tom Minton, and Randy Rogel.[10] Hastings, Rugg, Stoner, McCann, Howell, and Bressack were involved in writing sketch one-act[6] while others, including Kress, Minton, and Rogel, came from cartoon backgrounds.[five] [6]

The writers and animators of Animaniacs used the feel gained from the previous series to create new characters cast in the mold of Chuck Jones and Tex Avery'due south creations, following on the back-and-forth of many of the pairings from their archetype shorts.[14] The Marx Brothers, especially with their breaking of the fourth wall, also played heavily into the comic styling they wanted for the evidence.[10]

While the Warner siblings served as the central point of the show, the writing staff worked out developing other pairings or trios then as to make the drawing more than like a variety show with sketch comedy. Executive producer Steven Spielberg said that the blasphemy in Looney Tunes cartoons inspired the Animaniacs bandage.[fourteen] Just as Ruegger wrote the Warner siblings based on his own sons, other pairings or trios were based on similar personal relations the writing staff had. Ruegger created Pinky and the Brain after being inspired by the personalities of ii of his Tiny Toon Adventures colleagues, Eddie Fitzgerald and Tom Minton, who worked in the same office. Ruegger idea of the premise for Pinky and the Brain when wondering what would happen if Minton and Fitzgerald tried to take over the world, and cemented the idea afterwards he modified a extravaganza of the pair drawn by animator Bruce Timm past calculation mice ears and noses.[10] [15] Deanna Oliver contributed The Goodfeathers scripts and the character Craven Boo,[half dozen] while Nicholas Hollander based Katie Ka-Boom on his teenage daughter.[6] Stoner created Slappy the Squirrel when another writer and friend of Stoner, John McCann, made fun of Stoner's career in Television set movies playing troubled teenagers. When McCann joked that Sherri would be playing troubled teenagers when she was 50 years old, the latter developed the idea of Slappy's characteristics equally an older person acting like a teenager.[6] Stoner liked the idea of an aged cartoon grapheme because an anile cartoon star would know the secrets of other cartoons and "accept the dirt on [them]".[iv] Several additional sets of characters were besides created and vetted by Spielberg for inclusion in the evidence. Among those that were kept included The Hip Hippos, Rita and Runt, Minerva Mink and Buttons and Mindy, the latter of which due to Spielberg's daughter.[12]

Made-up stories did not exclusively comprise Animaniacs writing, every bit Hastings remarked: "We weren't actually there to tell compelling stories ... [Every bit a writer] you could exercise a real story, you could recite the Star-Spangled Banner, or y'all could parody a commercial ... you lot could do all these kinds of things, and we had this tremendous liberty and a talent to back it up."[half dozen] Writers for the series wrote into Animaniacs stories that happened to them; the episodes "Ups and Downs," "Survey Ladies," and "I Got Yer Can" were episodes based on true stories that happened to Rugg,[12] Deanna Oliver, and Stoner,[6] respectively. Another episode, "Bumbie's Mom," both parodied the film Bambi and was based on Stoner'due south childhood reaction to the movie.[4]

In an interview, the writers explained how Animaniacs allowed for non-restrictive and open up writing.[6] Hastings said that the format of the series had the atmosphere of a sketch comedy show because Animaniacs segments could widely vary in both fourth dimension and subject,[6] while Stoner described how the Animaniacs writing staff worked well equally a team in that writers could consult other writers on how to write or finish a story, equally was the instance in the episode "The Iii Muska-Warners".[6] Rugg, Hastings and Stoner as well mentioned how the Animaniacs writing was costless in that the writers were allowed to write near parody subjects that would not be touched on other series.[6]

Animaniacs was developed following the passage of the Children'southward Television Human action in 1990 that required that programming aimed at children to include educational content. The writers worked this into the show in part by featuring segments involving the characters interacting with historical figures, and creating songs like "Yakko'south World", which listed out all the countries of the world at the time, to serve as educational content.[11]

Cast [edit]

Animaniacs featured Rob Paulsen as Yakko, Pinky, and Dr. Otto von Scratchansniff, Tress MacNeille as Dot, Jess Harnell equally Wakko, bear witness author Sherri Stoner as Slappy Squirrel, Maurice LaMarche every bit the Brain, Squit and the belching segments "The Great Wakkorotti" (Harnell said that he himself is usually mistaken for the role),[four] and veteran voice actor Frank Welker as Ralph the Security Guard, Thaddeus Plotz and Runt.[5] Andrea Romano said that the casters wanted Paulsen to play the role of Yakko: "We had worked with Rob Paulsen before on a couple of other series and we wanted him to play Yakko." Romano said that the casters had "no trouble" choosing the office of Dot, referring to MacNeille as "simply hilarious ...And yet [she had] that edge."[iv] MacNeille had already been office of Tiny Toons Adventures every bit Babs Bunny, a office "custom made" for her, and Spielberg encouraged her to audition for the office of Dot in Animaniacs.[16] Before Animaniacs, Harnell had little experience in vocalism acting other than pocket-size roles for Disney which he "roughshod into".[4] Harnell revealed that at the audience for the prove, he did a John Lennon impression and the audition "went great".[4]

For Pinky and the Brain, LaMarche had been a long-time aficionado of Orson Welles, including the infamous Frozen Peas outtake, and when he auditioned for various characters in the evidence, immediately saw the Brain every bit having a Welles-like grapheme, adapting his voice for the role.[sixteen] Paulsen took inspiration from British comedy such as Monty Python's Flight Circus for Pinky's phonation.[10]

Stoner commented that when she gave an impression of what the voice would be to Spielberg, he said she should play Slappy herself.[4] According to Romano, she personally chose Bernadette Peters to play Rita.[4] Other voices were provided by Jim Cummings, Paul Rugg, Vernee Watson-Johnson, Jeff Bennett and Gail Matthius. Tom Ruegger's three sons too played roles in the series. Nathan Ruegger voiced Skippy Squirrel, the nephew of Slappy, throughout the duration of the serial; Luke Ruegger voiced The Flame in historical segments on Animaniacs; and Cody Ruegger voiced Birdie from Wild Blue Yonder.

Blitheness [edit]

Animation work on Animaniacs was farmed out to several different studios, both American and international, over the class of the testify's product. The animation companies included Tokyo Movie Shinsha of Nihon, StarToons of Chicago,[17] Wang Picture Productions of Taiwan, Shanghai Morning Sun Animation and Sichuan Height Animation of China, Freelance Animators New Zealand of New Zealand, Seoul Movie (a subsidiary of TMS) and AKOM of South Korea, and most Animaniacs episodes oftentimes had blitheness from dissimilar companies in each episode's corresponding segments.[18]

Animaniacs was made with a college production value than standard television animation; the series had a higher cel count than most TV cartoons.[12] The Animaniacs characters often movement fluidly, and do not regularly stand still and speak, as in other television cartoons.[12]

Music [edit]

Animaniacs utilized a heavy musical score for an animated program, with every episode featuring at least one original score. The idea for an original musical score in every episode came from Steven Spielberg.[19] Animaniacs used a 35-piece orchestra,[a] and seven composers were contracted to write original underscore for the series' run: Richard Stone, Steve Bernstein, Julie Bernstein, Carl Johnson, J. Eric Schmidt, Gordon Goodwin, and Tim Kelly.[four] The use of the big orchestra in mod Warner Bros. animation began with Animaniacs predecessor, Tiny Toon Adventures, merely Spielberg pushed for its use fifty-fifty more than in Animaniacs.[4] Although the result was a very expensive show to produce, "the sound sets us autonomously from everyone else in animation," said Jean MacCurdy, the executive in charge of production for the series.[19] Co-ordinate to Steve and Julie Bernstein, not merely was the Animaniacs music written in the aforementioned fashion as that of Looney Tunes composer Carl Stalling, it was recorded at the Eastwood Scoring Stage, which was used past Stalling equally well as its pianoforte.[4] Senior producer Tom Ruegger said that writers Randy Rogel, Nicholas Hollander, and Deanna Oliver wrote "a lot of music" for the serial.[half dozen]

Hallmarks and humor [edit]

The humor of Animaniacs varies in type, ranging from parody to cartoon violence. The series made parodies of tv set shows and films. In an interview, Spielberg defended the "irreverence" of Animaniacs, maxim that the Animaniacs crew has "a point of view" and does non "sit back passively and play both sides equally".[23] Spielberg also said that Animaniacs' humor of social commentary and blasphemy were inspired by the Marx Brothers[23] and Looney Tunes cartoons.[14] Animaniacs, among other Spielberg-produced series, had a big amount of drawing violence. Spielberg defended the violence in Animaniacs by saying that the series had a balance of both fierce humor and educational segments, and so the series would never become either too tearing or "benign".[23] Animaniacs also made use of catchphrases, recurring jokes and segments, and "adult" humor.

Recurring jokes and catchphrases [edit]

Characters on Animaniacs had catchphrases, with some characters having more than than one. Notable catchphrases include Yakko'south "Goodnight, everybody!" often said following developed humor, Wakko's "Faboo!" and Dot's frequent assertions of her cuteness. The near prominent catchphrase that was said by all three Warners was "Hullo-o-o, nurse!"[3] Tom Ruegger said that the "Hello-o-o, nurse!" line was intended to be a catchphrase much like Bugs Bunny'south line, "Eh, what's upwards, Medico?"[12] Before the theme song for each "Pinky and the Brain" segment, Pinky asks, "Gee, Encephalon, what exercise you want to do this evening?", to which Brain replies, "The aforementioned thing nosotros practise every night, Pinky: try to take over the globe!" During these episodes, Encephalon often asks Pinky, "Pinky, are you pondering what I'yard pondering?" and Pinky replies with a silly non sequitur that changes with every episode.[7] Writer Peter Hastings said that he unintentionally created these catchphrases when he wrote the episode "Win Big", and then producer Sherri Stoner used them and had them put into later episodes.[six]

Running gags and recurring segments were very mutual in the series. The closing credits for each episode ever included one joke credit and ended with a water tower gag similar to The Simpsons couch gag. Director Rusty Mills and senior producer Tom Ruegger said that recurring segments like the water belfry gag and another segment titled "The Cycle of Morality" (which, in Yakko's words, "adds boring educational value to what would otherwise be an almost entirely entertaining program", and ends with a "moral" that makes absolutely no sense) eased the product of episodes because the same animated scenes could be used more than than once (and, in the case of the Wheel segments, enabled the producers to add a segment in where there was not room for anything else in the episode).[12]

Humour and content intended for adults [edit]

A great deal of Animaniacs' humor and content was aimed at an adult audition, revolving effectually hidden sexual innuendo and throwback pop culture references. Animaniacs parodied the film A Hard Twenty-four hours's Nighttime and the Three Tenors, references that The New York Times wrote were "highly-seasoned to older audiences".[21] The comic operas of Gilbert and Sullivan Pirates of Penzance and H.M.S. Pinafore were parodied in episode 3, "HMS Yakko".[24] The Warners' personalities were made similar to those of the Marx Brothers and Jerry Lewis, in that they, co-ordinate to author Peter Hastings, "wreak havoc" in "serious situations".[6] In addition, the show's recurring "Goodfeathers" segment was populated with characters based on characters from The Godfather and Goodfellas, R-rated criminal offence dramas neither marketed nor intended for children.[4] Some content of Animaniacs was not only aimed at an adult audience, it was suggestive in nature; one character, Minerva Mink, had episodes that network censors considered too sexually suggestive for the show's intended audition, for which she was presently de-emphasized every bit a featured graphic symbol.[four] Jokes involving such innuendo would often end with Yakko telling "Goodnight, everybody!" as a punchline.[25]

Parodies and caricatures fabricated up a big role of Animaniacs. The episode "Hullo, Nice Warners" introduced a Jerry Lewis extravaganza (left), who fabricated occasional appearances in the series and film.

Parodies [edit]

Animaniacs parodied popular Idiot box shows and movies and caricatured celebrities.[12] Animaniacs made fun of celebrities, major motion pictures, goggle box series for adults (Seinfeld, Beverly Hills 90210 and Friends, among others), goggle box series for children (such as Barney & Friends and Rugrats), and trends in the U.Due south. Ane episode even made fun of competing show Power Rangers,[23] and another episode caricatured Animaniacs' own Cyberspace fans.[26] Animaniacs also made potshots of Disney films, creating parodies of such films every bit The Lion Rex, Dazzler and the Beast, Pocahontas, Bambi, and others. Animaniacs director Russell Calabrese said that not only did information technology become a compliment to be parodied on Animaniacs, existence parodied on the series would be taken as a "bluecoat of honor".[12]

Songs [edit]

Animaniacs had a variety of music types. Many Animaniacs songs were parodies of classical or folk music with educational lyrics. Notable ones include "Yakko'south Earth" in which Yakko sings the names of all 200-some nations of the world at the time to the melody of the "Mexican Hat Dance". "Wakko's America" listed all the Us and their capitals to the tune of "Turkey in the Straw".[27] [28] Another song, titled "The Presidents", named every U.S. president at the time to the tune of the "William Tell Overture" (with brief snippets of the tunes "Mademoiselle from Armentieres" and "Dixie").[29] [30] Non-educational song parodies were also used, such as "Slippin' on the Water ice," a parody of "Singin' in the Rain".[31] Virtually of the groups of characters had their ain theme songs for their segments on the show.[32]

The Animaniacs theme song, performed past the Warners, was a very important part of the series. In the series' offset flavor, the theme won an Emmy Award for best song.[33] Ruegger wrote the lyrics, and Stone composed the music for the championship sequence.[6] Several Animaniacs albums and sing-along VHS tapes were released, including the CDs Animaniacs, Yakko'southward World, and Animaniacs Multifariousness Pack, and the tapes Animaniacs Sing-Along: Yakko's World and Animaniacs Sing-Along: Mostly in Toon.[34]

Shorts featuring Rita and Runt would also incorporate songs for Bernadette Peters to sing.

Reception [edit]

Animaniacs was a successful show, gathering both child and adult fans. The serial received ratings higher than its competitors and won viii Daytime Emmy Awards.

Ratings and popularity [edit]

During its run, Animaniacs became the second-nigh pop children'south show among both ages 2–eleven and ages half-dozen–11 (behind Mighty Morphin Power Rangers).[35] [36] Animaniacs, along with other animated series, helped to bring "Pull a fast one on Kids" ratings much larger than those of the channel's competitors.[37] In Nov 1993, Animaniacs and Tiny Toon Adventures almost doubled the ratings of rivals Darkwing Duck and Goof Troop among ages two–11 and 6–11, which are both very important demographics to children's networks.[35] On Kids' WB, Animaniacs gathered about 1 one thousand thousand kid viewers every week.[38]

While Animaniacs was popular amongst younger viewers (the target demographic for Warner Bros.' Tv cartoons), adults also responded positively to the show; in 1995, more than i-fifth of the weekday (4 p.m., Monday through Fri) and Saturday morning (8 a.m.) audience viewers were 25 years or older.[31] The large adult fanbase fifty-fifty led to one of the first Internet-based fandom cultures.[39] During the show'south prime, the Internet newsgroup alt.boob tube.animaniacs was an agile gathering identify for fans of the show (most of whom were adults) to post reference guides, fan fiction, and fan-made artwork most Animaniacs.[40] The online popularity of the show did not get unnoticed by the testify'south producers, and xx of the almost active participants on the newsgroup were invited to the Warner Bros. Animation studios for a gathering in August 1995.[20]

Nominations and awards [edit]

Animaniacs' start major accolade came in 1993, when the series won a Peabody Accolade in its debuting season.[41] In 1994, Animaniacs was nominated for two Annie Awards, one for "All-time Animated Boob tube Program", and the other for "All-time Achievement for Voice Interim" (Frank Welker).[42] Animaniacs also won two Daytime Emmy Awards for "Outstanding Accomplishment in Music Management and Composition" and "Outstanding Original Vocal" (Animaniacs Main Title Theme).[33] In 1995, Animaniacs was nominated iv times for the Annie Awards, once for "Best Animated Television Program", twice for "Voice Interim in the Field of Blitheness" (Tress MacNeille and Rob Paulsen), and one time for "Best Individual Achievement for Music in the Field of Blitheness" (Richard Rock).[43] That same year, Animaniacs was nominated for Favorite Cartoon for the 1995 Kids' Option Awards.[44] In 1996, Animaniacs won 2 Daytime Emmy Awards, one for "Outstanding Animated Children's Plan" and the other for "Outstanding Accomplishment in Animation".[45] In 1997, Animaniacs was nominated for an Annie Award for "Best Individual Achievement: Directing in a Tv set Production" (Charles Visser for the episode "Noel").[46] Animaniacs also won two more Daytime Emmy Awards, one for "Outstanding Blithe Children's Program" and the other for "Outstanding Music Management and Limerick".[47] In 1998, the last year in which new episodes of Animaniacs were produced, Animaniacs was nominated for an Annie Award in "Outstanding Achievement in an Animated Daytime Telly Programme".[48] Animaniacs likewise won a Daytime Emmy Award in "Outstanding Music Direction and Composition" (for the episode "The Brain'southward Amateur").[49] In 1999, Animaniacs won a Daytime Emmy Laurels for "Outstanding Achievement in Music Direction and Composition".[fifty] When Animaniacs won this award, it set a record for virtually Daytime Emmy Awards in the field of "Outstanding Achievement in Music Management and Composition" for whatever individual blitheness studio.[51] In 2009, IGN named Animaniacs the 17th-best animated television series.[52] On September 24, 2013, Animaniacs was listed among Boob tube Guide's "60 Greatest Boob tube Cartoons of All Fourth dimension".[53]

History [edit]

Fox Kids era: Episodes 1–69 [edit]

Animaniacs premiered on September 13, 1993,[54] on the Play a joke on Kids programming block of the Play a trick on network, and ran there until September 8, 1995;[5] new episodes aired from the 1993 through 1994 seasons. Animaniacs aired with a 65-episode outset season considering these episodes were ordered past Fox all at once.[55] While on Play a trick on Kids, Animaniacs gained fame for its name and became the second-nearly pop testify among children ages 2–eleven and children ages half-dozen–11, 2nd only to Mighty Morphin Power Rangers (which began that aforementioned year).[36] [55] On March 30, 1994, Yakko, Wakko, and Dot offset theatrically appeared in the animated brusk, "I'm Mad", which opened nationwide aslope the full-length animated characteristic, Thumbelina.[56] The musical short featured Yakko, Wakko, and Dot grouse during a car trip. Producers Steven Spielberg, Tom Ruegger, and Jean MacCurdy wanted "I'grand Mad" to be the offset of a serial of shorts to bring Animaniacs to a wider audience. Even so, "I'm Mad" was the but Animaniacs theatrical short produced.[56] The short was afterwards incorporated into Animaniacs episode 69. Following the 65th episode of the series, Animaniacs connected to air in reruns on Play a joke on Kids. The only new episodes during this fourth dimension included a short, four-episode second flavour that was quickly put together from unused scripts. Afterward Fox Kids aired Animaniacs reruns for a yr, the series switched to the new Warner Bros. children's programming block, Kids' WB.[55]

Kids' WB era: Episodes lxx–99 [edit]

The series was pop plenty for Warner Bros. Animation to invest in additional episodes of Animaniacs past the traditional 65-episode marker for syndication.[57] Animaniacs premiered on the new Kids' WB line-up on September 9, 1995,[5] with a new season of thirteen episodes.[55] At this fourth dimension, the bear witness'south popular drawing characters, Pinky and the Brain, were spun off from Animaniacs into their own half-hour TV serial.[58] Warner Bros. stated in a press release that Animaniacs gathered over 1 million children viewers every calendar week.[38]

Despite the series' success on Fox Kids, Animaniacs on Kids' WB was successful only in an unintended fashion, bringing in adult viewers and viewers outside the Kids' WB target demographic of young children.[55] This unintended issue of adult viewers and not enough immature viewers put pressure on the WB network from advertisers and caused dissatisfaction from the WB network towards Animaniacs.[55] Slowly, orders from the WB for more Animaniacs episodes dwindled and Animaniacs had a couple more curt seasons, relying on leftover scripts and storyboards.[55] [59] The fourth flavor had eight episodes, which was reduced from 18 because of Warner Bros.' dissatisfaction with the series.[55] The 99th and final Animaniacs episode aired on November 14, 1998.[60]

The Chicago Tribune reported in 1999 that the production of new Animaniacs episodes ceased and the directly-to-video feature motion picture Animaniacs: Wakko's Wish was a closer to the series. Animation World Network reported that Warner Bros. laid off over 100 artists, contributing to the reduced product of the original series.[61] Producer Tom Ruegger explained that rather than produce new episodes, Warner Bros. instead decided to use the back-catalog of Animaniacs episodes until "someone clamors for more."[62] Animaniacs segments were shown forth with segments from other cartoons as part of The True cat&Birdy Warneroonie PinkyBrainy Large Cartoonie Show.[61] Ruegger said at the time the hiatus was "temporary". Following the end of the series, the Animaniacs team adult Animaniacs: Wakko's Wish,[62] which was released on December 21, 1999.[38] In 2016, Ruegger said on his Reddit AMA that the decline of Animaniacs and other series was the upshot of Warner Bros.' investment in the much cheaper anime series Pokémon. After Warner Bros. gained distribution rights to the cheaper and successful anime, the network chose to invest less in original programming like Animaniacs.[63]

After Animaniacs [edit]

After Animaniacs, Spielberg collaborated with Warner Bros. Animation once again to produce the short-lived series Steven Spielberg Presents Freakazoid, along with the Animaniacs spin-off series Pinky and the Brain, from which Pinky, Elmyra & the Brain was later spun off. Warner Bros. also produced ii other comedy blithe serial in the later half of the decade titled Histeria! and Detention, which were short-lived and unsuccessful compared to the before series. Subsequently, Warner Bros. cut dorsum the size of its blitheness studio because the show Histeria! went over its upkeep,[49] and most production on further Warner Bros. animated comedy series ended.[61]

Since 2016, Paulsen, Harnell, and MacNeille have toured as Animaniacs Alive!, performing songs from Animaniacs! along with a full orchestra. Among the songs will be an updated version of "Yakko's World" past Randy Rogel that includes a new verse to include nations that have been formed since the song'southward original airing, such as those from the break-up of the Soviet Union.[30] [64]

Wakko'southward Wish [edit]

The Warners starred in the characteristic-length direct-to-video movie Animaniacs: Wakko's Wish. The movie takes place in the fictional town of Acme Falls, in which the Warners and the residue of the Animaniacs cast are under the rule of a greedy male monarch who conquered their abode country from a neighboring country. When the Warners find out well-nigh a star that volition grant a wish to the first person that touches it, the Warners, the villagers (the Animaniacs cast), and the king race to get to it first.[38] [65] Although children and adults rated Animaniacs: Wakko'due south Wish highly in test-screenings,[66] Warner Bros. decided to release it direct-to-video, rather than spend coin on advertising.[67] Warner Bros. released the movie on VHS on December 21, 1999;[38] the motion-picture show was and then released on DVD much afterward on October 7, 2014.[68]

Trade [edit]

Domicile media [edit]

Episodes of the show have been released on DVD and VHS during and after the series' run.

VHS tapes of Animaniacs were released in the United states and in the Britain. All of these tapes are out of impress, but are still available at online sellers. The episodes featured are jumbled at random and are in no particular order with the series. Each video featured four to 5 episodes each which were accompanied past a handful of shorter skits, with a running time of about 45 minutes.

Beginning on July 25, 2006, Warner Home Video began releasing DVD volume sets of Animaniacs episodes in order of the episodes' original airdates.[69] Volume 1 of Animaniacs sold very well; over one-half of the production existence sold in the first calendar week made it one of the fastest selling animation DVD sets that Warner Home Video ever put out.[70]

DVD name Ep. # Release date Additional data
Animaniacs Book 1 25 July 25, 2006 (2006-07-25) [69] This 5-disc box ready contains the first 25 episodes from season one. Includes the featurette "Animaniacs Live!", where Maurice LaMarche hosts an interview via satellite Goggle box with Animaniacs vocalization actors, writers, and composers as they annotate on the show.
Animaniacs Volume two 25 Dec 5, 2006 (2006-12-05) [71] This five-disc box fix contains the second 25 episodes (26–fifty) from flavor 1. Includes the featurette "The Writers Flipped, They Have No Script", where Maurice LaMarche leads a gathering of writers on what their favorite Animaniacs episodes are.
Animaniacs Volume 3 25 June 19, 2007 (2007-06-19) [72] This v-disc box set includes the last xv episodes (51–65) of season 1, all four episodes of season 2, and the first six episodes of season 3. Includes 2 featurettes: "They Can't Help It If They're Cute, They're Just Drawn That Style", a production commentary from the character designers, storyboard artists and art directors of the serial; and "They're Totally Insane-y: In Cadence with Richard Stone", a word on the music of Animaniacs and a tribute to composer Richard Stone.
Animaniacs Volume iv 24 February five, 2013 (2013-02-05) [73] This three-disc box set contains the final seven episodes of season three (76–82) and all of the episodes of both seasons iv (83–90) and 5 (91–99). At that place are no special features included in this volume.

Print [edit]

An Animaniacs comic book, published by DC Comics, ran from 1995 to 2000 (59 regular monthly problems, plus 2 Specialdue south). Initially, these featured all the characters except for Pinky and the Brain, who were published in their ain comic volume series (which ran for a Christmas Special event and so 27 regular issues from July 1996 to November 1998 earlier its cancellation), though cameos were possible. The Animaniacs comic book series was afterwards renamed Animaniacs! featuring Pinky and the Brain [74] with consequence #43 and ran for another 16 issues before its cancellation. The Animaniacs comic book series, like the TV series, parodied TV, film and comic book standards such equally Pulp Fiction and The X-Files, among others.

Video games [edit]

Animaniacs was soon brought into the video game industry to produce games based on the serial. The list includes titles such equally:

  • Animaniacs (1994, Genesis, SNES, Game Boy)[75] [76] [77]
  • Animaniacs Game Pack! (1997, PC)[78]
  • Pinky and the Encephalon: World Conquest (1998, PC)[79]
  • Animaniacs: Ten Pin Alley (1998, PS1)[lxxx]
  • Animaniacs: A Gigantic Adventure (1999, PC)[81]
  • Animaniacs: Splat Ball! (1999, PC)[82]
  • Pinky and the Brain: The Master Plan (2002, GBA, Europe only)[83]
  • Animaniacs: The Cracking Edgar Chase (2005, GC, PS2, Xbox)[84] [85]
  • Animaniacs: Lights, Photographic camera, Action! (2005, GBA, DS).[86] [87]

Musical collections [edit]

Because Animaniacs had many songs, record labels Rhino Entertainment and Time Warner Kids produced albums featuring songs from the series. These albums include:

  • Animaniacs (1993)
  • Yakko's Globe (1994)
  • Animaniacs Multifariousness Pack (1995)

Additionally, a book on record album, A Christmas Plotz, was produced during the evidence'southward run and subsequently re-issued on CD as A Hip-Hopera Christmas. After the series' run, two additional discount albums compiling tracks from previous releases were released under Rhino's Flashback label, The Animaniacs Get Hollywood and The Animaniacs Wacky Universe,[88] and the compilation album The Animaniacs Faboo! Drove (1995).[89]

2020 revival/reboot [edit]

A two-flavor revival of Animaniacs was ordered by Hulu in May 2017, following the popularity of the original series after Netflix had added it to their library in 2016.[90] The get-go flavor of 13 episodes was broadcast on Nov 20, 2020, while the second flavour was released on November v, 2021.[2] Wellesley Wild served equally the showrunner and as executive producer along with Gabe Swarr.[91] [92] According to Wild, Steven Spielberg was heavily involved with bringing the serial back and insisting on many of the original voice cast and elements exist used for the revival.[93] [94] This includes the render of Yakko, Wakko, and Dot (voiced past Paulsen, Harnell, and MacNeille) and Pinky and the Brain (voiced by Paulsen and LaMarche),[95] and the use of a small orchestra for the musical works composed by Julie and Steven Bernstein, who both composed boosted music during the serial' original run, besides as other composers trained past Richard Stone and Randy Rogel.[96] [97] [93]

Notes [edit]

  1. ^ Sources vary on the size of the Animaniacs orchestra. On the "Animaniacs Alive!" featurette, host Maurice LaMarche refers to the orchestra as "35-piece".[four] A 1995 Warner Bros. Press release refers to the orchestra equally "xxx-slice",[20] while an article of The New York Times reads that the orchestra was a much smaller "20-piece".[21] In an interview for The Cartoon Music Volume, Animaniacs composer Richard Stone said that the number of people in the orchestra varied, depending on the episode and the type of music needed, but said that "I don't remember we e'er had more than thirty-ii [pieces]".[22]

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Farther reading [edit]

  • Lenburg, Jeff (1999). "Animaniacs [Theatrical Brusk]". The Encyclopedia of Animated Cartoons (Second ed.). New York, New York: Checkmark Books. pp. 51. ISBN0-8160-3831-7.
  • Lenburg, Jeff (1999). "Steven Spielberg Presents Animaniacs [Television Series]". The Encyclopedia of Animated Cartoons (Second ed.). New York, New York: Checkmark Books. pp. 520. ISBN0-8160-3831-7.
  • Goldmark, Daniel; Taylor, Yuval (2002). The Cartoon Music Book. Chicago: Chicago Review Press. ISBN978-1-55652-473-eight.
  • Sandler, Kevin (1998). Reading the Rabbit: Explorations in Warner Bros. Blitheness. New Brunswick, New Jersey: Rutgers University Press. ISBN0-8135-2538-1.

External links [edit]

  • Animaniacs at the Large Cartoon DataBase
  • Animaniacs at IMDb
  • Animaniacs (revival) at IMDb
  • The official DVD website
  • Animaniacs at Don Markstein's Toonopedia. Archived from the original on Apr 4, 2012.

Source: https://en.wikipedia.org/wiki/Animaniacs

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